water paint

                                                                 sales at $159

A real SouthIndian family women its look like a gorgeus and godliness and silent smile.
This was drawn from the 1970 period by the artistry Saravanan.

water paint

HISTORICAL ARTICLES

                                                                  sales at $1000

Its a historical articles from the part of ramayana.

pencil portrait

sales at $100

                           There were no surprises in Gatlin County. 
We were pretty much the epicenter of the middle of nowhere.
At least, that's what I thought.
Turns out, I couldn't have been more wrong.
There was a curse.
There was a girl.
And in the end, there was a grave.

Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.

Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection between them.In a town with no surprises, one secret could change everything.                                            

pencil portrait

 

                                                         

                                                                     sales at $100

Liberated from detail, these paintings expose moments of everyday life that tap into the viewer’s mind. Complementing the expressiveness of the figurative works are the artist's simplified abstractions of shape, color and the containment of light.

pencil portrait

JEORGE BUSH

                                                                      sales at $100

My paintings expose darkness and secrecy. In them I indulge shame, guilt, rage, and despair—yet still express triumph and survival. I pair ugliness with beauty, torment with comfort, anger with compliance and anguish with hope. I tend to explore women’s issues including growing up, suppression, domination, control, abuse, empowerment, self-esteem, and other facets of our existence. By juxtaposing innocence with power, naiveté with control, inexperience with sophistication, cute with disturbing, sweet with angry, pink with black, my images can mean many things to many people—and not just of one gender. Childhood exploration of flea markets and antique shops with my mother and my father’s love of history have combined in me. I have a passion for all things historical, but especially those that affected or represented the lives of women. Years of collecting and studying antique clothing, fabrics, books, and other sundries aid me in my works. Wherever I falter in communicating my thoughts, I entrust my images to speak for me.

pencil portrait

                                                                     sales at $100

In a similar manner to my practice of demonstrating the dynamism and unfixity of identity through constant character transformations, the installations will demonstrate the same through their cycles of transformation. Each installation space parodies real-world, real spaces: studio, office, commercial, domestic, etc. Each space will be open to the viewer as participant/user; the manner in which they participate with, or use it will be dependent on the identity of each installation. Each space will be inhabited and uninhabited at different times to play with presence and absence. Each will aim to antagonize, upset, frustrate and/or agitate the viewer through different anti-social strategies that will include: parody, deceit, surveillance and theft.

pencil portrait

                                                     

                                                     
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The dresses are really just surrogates for my self. Bringing the female figure into my photography expresses more in a physical sense my experience of contact with my surroundings and the things I love about it--the light, the wind, the dry heat, the cracked earth and blistering cold, even the dead things I come across.